A teenage delinquent who goes on a drunken joyride is left in jail overnight by his parents in the hope that he might learn a lesson from it. But events follow which result in the boy spending far longer behind bars than anyone had foreseen.

Melodrama about a rich father who gains custody of his child while the mother goes off in tears. Of course, the child is miserable even though he has everything in the world but after a weekend trip at his poor mother's house, the child realizes that money isn't everything and he has to convince the father that his money is evil.

Claire's number one priority is her family. When her husband Dennis loses his stockbroker job, the couple's traditional family roles switch. As Dennis takes on his new stay-at-home role, Claire's furniture design business takes off. Just as she's beginning to master the art of balancing her home and work life, Dennis serves her with divorce papers and charges her with being an unfit mother. Claire discovers that in a modern courtroom there are still traditional biases unsympathetic to the idea of a woman working three jobs, as a wife, an entrepreneur and a mother.

Ismail Merchant's feature directorial debut addresses a subject close to his heart: the expressive Urdu language of Northern India, in danger of extinction as political trends and modernization obscure its contributions to Indian culture. Merchant 's treatment is wry and good humored , as his characters - an aging Urdu poet (Shashi Kapoor) and a worshipful young college lecturer - clash despite their shared passion for the beauty of words.

When Martín and Sol try to solve the enigma of a missing neighbor, they will discover that nothing is what it seems, that your hearing can trick you just like your imagination and that your heart is a double-edged weapon.

Two strangers. Two personalities. One hand-made secret.

El and Jali, a twenty-something couple from Sydney’s Inner West, arrive at a house party. As El wanders through the house, she experiences a myriad of gender performances, and finds kinship in another girl, Fleur. The night changes route completely when they are confronted by a violent figure.

Agapi, an old Greek woman, returns to Turkey with her granddaughter, Elpida, in hopes of buying back her childhood home, but the new owner, a young Turkish man, is adamantly against selling it. The three strangers begin to share the house trying to come to an agreement, but a friendship between Elpida and the new owner complicates matters.

Two girlfriends pick up a traumatized woman near the scene of an accident. But something isn't right about their passenger and soon the good Samaritans are trapped in a nightmare ride they'll never forget.

Les inconnus de la terre starts like a traditional feature film: in the beginning of the film all the leading roles are given a short introduction. This is followed by a number of interviews, in which the makers unashamedly appear themselves. They include an interview with a lonely shepherd and one with three unmarried brothers who try to run the parental farm for better or worse. Notwithstanding the fact that this mode of interviewing has now become classical, les inconnus de la terre works rather refreshingly. The film is more than just an enumeration of problems. In an honest way it shows the ties of those involved to the land and to nature, in addition to being a plea for the modernization of French agriculture.